SCOTT WEILAND IN WASHINGTON DC

Scott Weiland in Washington DC - Howard Theatre - 3/11/2013

REVIEWS FROM SCOTT WEILAND’S “PURPLE AT THE CORE” SHOW LAST NIGHT IN NEW BRUNSWICK, NEW JERSEY

Here are some fan reviews commented regarding Scott Weiland’s performance last night in New Brunswick, New Jersey:

Sklashboombash commented the following review on Belowempty:

“Ok. Here’s my two cents.  Contrary to recent reports, Scott’s vocals weren’t bad. Was he the best he’s been? No. But he sang pretty well. We all know his voice has gotten more and more nasally over the years, so he kept on that path. There were a couple of botched lyrics, but again, nothing new…and nothing atrocious either. He talked plenty in between songs, sometimes too much for the crowd’s restlessness.  He even brought up the Slash & Rob jam with Aerosmith. You can hear it in his voice, it bothered him It was sad at times to hear him talk about STP memories, about what those songs mean to him all the while none of those guys are standing there with him. Which brings me to the next point…his band.  Oh my! Scott’s performance with a GOOD band would’ve resulted in a good evening. These guys are just not that good. The drummer constantly missed cues. Doug over plays on EVERY SONG. Jeez!!!!! Give it a rest. Not every song is meant to have a lead guitar noodling all throughout.  If you’re going to play STP songs, then, I’m sorry to break it to you, but you HAVE TO LEARN HOW THEY GO. I’m all about trying something different and re-imagining a song, but this was not that. A talent like Scott Weiland (who’s sold millions of records and played with the level of talent that he has in STP & VR) should have no issue getting real professional musicians in a band. How is it possible that he doesn’t realize what this sounds like?  Shows like this, despite HIS performance not being bad, really hurt his legacy, reputation and do nothing for his already tainted public perception. Tonight, it wasn’t his fault. This band of his shoulders 100% of the blame. With all that said, to be fair, there were some highlights.  I thought Kitchenware & Candybars, Jean Genie & Paralysis were some of the better tunes, as a whole. Again, Scott sounded pretty consistent. But there’s only so much he can do to save the sloppy band behind him.  For all the flack that Axl gets for his band of guns for hire (no pun intended), like it or hate it, at least he went out and got guys that could play the songs properly.  And you’re right, when we’re used to having the (as you called them) masters play these songs, most would pale in comparison, but even something like Roadhouse Blues was butchered. ”

CoreurpletinyNo4Shangriy commented this review on Belowempty:

“I just got home from seeing Scott (and the Wildabouts) at the State Theatre.I am still in (blind) confusion. To say something though, I feel bad for Scott, My favorite frontman ever. The band is made up of talented musicians, and Scott’s voice was top notch tonight, but something about the set and the theater atmosphere filled with ass-holes, really brought the mood down. I did not enjoy this show as much as I anticipated. When I looked back, I saw empty seats and people yelling foul things to Scott and the band. They even got a new drummer for whatever reason (Original Wildabouts Drummer was Sick? Quit the band?). Scott went on rambles after each song, and the audience HATED that. I could not understand a word coming out of his mouth because of all the boos and putdowns. Scott should NOT be doing STP songs live with his band either, especially at a theater venue. It just seemed depressing hearing watered down versions of STP songs. The band really only performs solo/covers well. Scott should really do his solo material and focus more on a new record, and try to build this band from the ground up. Relying on the past will NOT get him anywhere. I know for a fact that 75% of the people in that venue lost respect for Scott. It is quite heartbreaking for me knowing that Scott’s legacy is coming down fast. I even heard that Scott had to be carried to his tour RV after the show tonight. He did seem very loopy on-stage. Not a drunk type though. Not going to jump to conclusions here but… Read between the lines.  That’s all I have to say. If Scott comes to a bar or venue like the Stone Pony again touring for his new “Punk” album, I’ll go and see him. If he continues “Purple to the Core”, even a diehard fan like me will not go. It saddens me, and I’m sure it saddens Scott deep down inside too.”

Christina Stanley Salerno commented this review on Scott Weiland’s official Facebook page:

“The show in NJ was awesome. cant say the same about the crowd. thanks for being u. you rocked it, regardless. Congrats on your engagement.”

Bryan commented this review on Grungereport.net:

“Good show. Scott seemed sincere and was trying to tell some of the story behind the songs and people were so rude. One jackass behind me kept yelling for Sin. I’ve seen STP and Scott solo many times and this crowd may take the cake for the biggest bunch of pricks and that’s even after the Grammercy show where all people wanted to hear was STP.”

SCOTT WEILAND PRAISES PRESIDENT OBAMA, ADMITS HE STILL DRINKS & RANTS ABOUT GRUNGE

Possible Stone Temple Pilots frontman Scott Weiland went on a long rant at his solo show last night in Washington DC. Numerous fans on Twitter claimed Weiland was drunk during his performance. chloesdad said on the BelowEmpty.com forums, “I’ve seen more STP/VR/Scott solo then I can count and this was by far the most painful show I’ve ever been to and that includes a show in which he didn’t even show up (Tampa 2008).”

Weiland’s rant included his thoughts on President Obama, “I think we have an amazing President, he’s just amazing.” He also said, “You’re thinking Scott Weiland is on drugs again…no that was 11 years ago, but I still drink…” This led into a bizarre rant about blogs, which included him asking what a blog was and proclaiming “Peter Jennings is awesome.”

Weiland also discussed Grunge, “People called it Grunge, but it wasn’t Grunge…it was going on everywhere.” Weiland seemed to be talking about how Seattle gets the most attention when it comes to the Grunge era. chloesdad said on BelowEmpty.com regarding Weiland’s rants, “Definitely went on rants that made little to no sense.”

Scott Weiland poor performance in New York. This tour was realy necessary??

Above is a video from Scott Weiland and the Wildabouts’ show in New York on Saturday at Irving Plaza, butchering Stone Temple Pilots’ epic 8 minute Core album closer “Where The River Goes” followed by a cover of Jane’s Addiction’s “Mountain Song.” Sad to see one of my favorite STP songs performed like that, we as always are still rooting for Scott. He’s a great performer and good guy, but obviously something is not right about what’s been going on during this tour. Below is video of “Naked Sunday.”

Scott Weiland - New York at Irving Plaza 9 March 2013

Scott Weiland challenged a fan to a fight at his show last night in New York at Irving Plaza. The fan had been heckling Weiland. Weiland called out the fan to come on stage, “So you’re fuckin’ pulling that fuckin’ like gun shit off on me? Then come up and meet me one on one man. You play tough guy from an audience behind a barricade. [talking to security guard regarding fighting him] I’d love to. Yeah, that guy. Trust me. And just don’t forget it guys like you fuckin’ waste your money. I mean, actually, let him stay here, and just get all fuckin’ riled up. He won’t be able to sleep tonight.”

You can watch video of the incident below. If the embedded video doesn’t work click here to watch it.

Edit this setlist | More Scott Weiland setlists

Scott Weiland shows up 90 minutes late to concert i Boston - Setlist

First video - Scott explaining why he was late to show in Boston

Scott Weiland - Purple at The Core - Boston 7 March 2013


Setlist:
Opening Jam
Crackerman (Stone Temple Pilots song)
Wicked Garden (Stone Temple Pilots song)
Paralysis
Naked Sunday (Stone Temple Pilots song)
Creep (Stone Temple Pilots song)
The Jean Genie (David Bowie cover)
Kitchenware & Candybars (Stone Temple Pilots song)
Where the River Goes (Stone Temple Pilots song)
Mountain Song (Jane’s Addiction cover)
Big Empty (Stone Temple Pilots song)
Can’t Stand Me Now (The Libertines cover)
Still Remains (Stone Temple Pilots song)
Interstate Love Song (Stone Temple Pilots song)

Encore:
Roadhouse Blues (The Doors cover)
Sex Type Thing (Stone Temple Pilots song)

Setlist - Scott Weiland - Purple at the Core - Patchogue, New York

Scott Weiland - Purple at the Core - Patchogue 6 MArch 2013

Setlist:

Crackerman (Stone Temple Pilots song)

Wicked Garden (Stone Temple Pilots song)

Paralysis

Naked Sunday (Stone Temple Pilots song)

Creep (Stone Temple Pilots song)

The Jean Genie (David Bowie cover)

Kitchenware & Candybars (Stone Temple Pilots song)

Where the River Goes (Stone Temple Pilots song)

Mountain Song (Jane’s Addiction cover)

Big Empty (Stone Temple Pilots song)

Can’t Stand Me Now (The Libertines cover)

Still Remains (Stone Temple Pilots song)

Vasoline (Stone Temple Pilots song)

Interstate Love Song (Stone Temple Pilots song)

Encore:

Roadhouse Blues (The Doors cover)

Sex Type Thing (Stone Temple Pilots song)

Scott Weiland announces new show in New York

March 17, 2013- New York, NY- City Winery

Information about show from venue:

Rocketing to the forefront of the music worlds in 1992, Scott Weiland has become one of music’s most highly-respected and prolific artists. As the front man for Stone Temple Pilots, Weiland has remained a dominant force in rock music since the group’s inception.

Now on his “Purple at the Core” tour with his band The Wildabouts, Scott takes us back through two classic albums that helped change the musical landscape of the early 1990′s. The band runs through selections from Stone Temple Pilots’ breakthrough albums “Core” and “Purple”!

Do NOT miss this rare opportunity to see this icon, genre-changing artist perform some of his most well-known, and most respected musical works on the City Winery stage!

Also now, with his sophomore solo release, Weiland proves that his music and song-writing are as potent and powerful as ever.

HAPPY IN GALOSHES produced by Scott Weiland and Doug Grean (Velvet Revolver, Sheryl Crow, Crystal Method) with selected tracks recorded by Steve Albini, features a collection of songs that bring a revitalizing sound to Weiland’s highly praised and unique musical style.

Look for Scott Weiland’s memoir “Not Dead, Not for Sale”, available May 17th wherever books are sold.